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Composing and Conducting

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In the eyes, we can move our eyes; lookers can choose where they should look and when. Music should be listened here, which is part to play now. He not only wants to use music-finder to look because it is not so now.

If the composer and conductor, select how much you will hear that it does not ruin our similarities? Music-Analyzer If you ask its questions, how-Music Finder answer these unless, miracle, music plays what is happening with music finder I'd only really instant? If so, then how can music scene fear that if composers what listeners will ask at any time? How to determine if-I-Music Analyzer now that some "thing" is playing now?

This is the secret of writing music, playing and conducting it! Music need not, of course, every auditor confirm every expectation, each piece requires some new things. Any control order is needed or new items will begin in bullshit. If you can think too much themselves, listeners will not find answers to questions about any accidents rating form and metaphor, and voice lines, temperament and tuning difference.

Composers may have different purposes: to relax and entertain, surprise and shock, yarn, stage scenes, learn new things or tear prior art. For some composers such purposes should use familiar forms, frames or other people expect disagreement. Of course, when expectations are confirmed too often the style may seem silly, it is our concern in the next section. However, as language, often one that best explains the new ideas, using older, and avoiding too much jargon or lexical changes. If the reader does not understand words, sentences you to be Greek to them. "

This is not a matter of simple hierarchy, where each average is below the level of, for example, words, phrases, sentences, paragraphs, and chapter. Things just do not work that way, and shows how nonsense came through prudence, even many new words. Every time when some modern music changes key elements still operate large established form, but innovations that too drastically violates cultural expectations does not meet certain goals. Of course this does not apply to products that target include confusion and rebellion, or composers, when trying to make things that hide or expurgate their own intentionality, but these cases it may be difficult to hold the audience.

Each musical artist has preliminary estimates and direct the listener to prepare for restraint and kidnapping by force, the listener (again, as is sorcerer) to ask the questions that the composition is about response. Only by creating a pre-established unity of music can make something that is obviously there.





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