baroque and renaisance
- Cathedral, light, bright
- Vocal technique is very attractive and demanding a very high technical
- A little thicker for a solo, for the choir remained light, full and without vibrato reonance
- Very expressive and with feeling, but still adhering to strict engineering
- Sound clean and clear soprano, boy soprano often wore, thicker bass sound
- Very polyphony, terrace dynamic
- A combination of polyphony, and the contrast homophone
- 1 mood / theme of each section, there is no change of mood and expression gradually
Classical
- Perfect proportion, balance, blending and detail is the character
- Terrace dynamic, no gradual dynamic changes
- Clear, bright, light sound
- Rational, expressive, but remained faithful to the technique
Romantic
- Dramatic, very emotional and expressive
- Vocals: rich / thick (as if the dark), resonance, full voice, virbarto
- The characters are very different composer each other
- Changes in mood and dynamics gradually and contrast (pppp, ffff)
modern/contemporary/20th century
- Back to the past is mysterious and mystical, some looking for a new style that has never existed, even apart from the conventional order of music (many of the ideas of new music)
- Some work very melodic, some very rhythmic, some very dissonant
- Back to the pure voice, light (not thick) and bright, but the nasal
- All kinds of vocal techniques and effects can be used, depending on the composer
- Many types and dynamics of change, feelings and played some weird (excellent)
pop and traditional
- Using throat voice / chest voice / middle voice, breath support is not too strong
- Would be better if the vocal placement is among the upper middle voice and voice
- For songs using vocal effects in accordance with the character of the area
- Vocal technique is not used strictly, it is difficult to create / follow his style (jazz, keroncong, pop, dangdut, etc)
by Jason Christy Pranowo, S.sn
- Cathedral, light, bright
- Vocal technique is very attractive and demanding a very high technical
- A little thicker for a solo, for the choir remained light, full and without vibrato reonance
- Very expressive and with feeling, but still adhering to strict engineering
- Sound clean and clear soprano, boy soprano often wore, thicker bass sound
- Very polyphony, terrace dynamic
- A combination of polyphony, and the contrast homophone
- 1 mood / theme of each section, there is no change of mood and expression gradually
Classical
- Perfect proportion, balance, blending and detail is the character
- Terrace dynamic, no gradual dynamic changes
- Clear, bright, light sound
- Rational, expressive, but remained faithful to the technique
Romantic
- Dramatic, very emotional and expressive
- Vocals: rich / thick (as if the dark), resonance, full voice, virbarto
- The characters are very different composer each other
- Changes in mood and dynamics gradually and contrast (pppp, ffff)
modern/contemporary/20th century
- Back to the past is mysterious and mystical, some looking for a new style that has never existed, even apart from the conventional order of music (many of the ideas of new music)
- Some work very melodic, some very rhythmic, some very dissonant
- Back to the pure voice, light (not thick) and bright, but the nasal
- All kinds of vocal techniques and effects can be used, depending on the composer
- Many types and dynamics of change, feelings and played some weird (excellent)
pop and traditional
- Using throat voice / chest voice / middle voice, breath support is not too strong
- Would be better if the vocal placement is among the upper middle voice and voice
- For songs using vocal effects in accordance with the character of the area
- Vocal technique is not used strictly, it is difficult to create / follow his style (jazz, keroncong, pop, dangdut, etc)
by Jason Christy Pranowo, S.sn
Post a Comment
Comment