Write music notation into a form that tabulation easier than writing in the form of scores. While each has advantages and disadvantages, this tabulation format easier to learn by novice musicians.But shortly before the translation into the notation tabulation it's good, must learn the parts in the song. Here is an approach to understanding the writer of the song. And do not forget that the time signature is very important to note because it will determine the pattern of each block chord licks or bar. How to recognize it easily, consider a standard drum beats in each bar. Every drummer kick drum or base that beat 1, at 2 snare beat it, beat the drum 3, and snare beat to-4.
I. SONG PARTS
The parts listed below do not necessarily present in every song. Form of the song did not have to follow a specific sequence (That's what makes each song seemed to have its own soul and character
* Intro
At the beginning of the song. Usually in the form of instrument for introducing the game to the song listeners. The notation is typically taken from the inside track.
* Bait / Verse
Verse pattern is always repeated in each song. The contents of his poems were different although the same music playing (I think this is what makes us not bored of listening to a song).
* Chorus
That is the core of a song. This part more decisive image of a composition. This is the real part of the most eagerly awaited to be heard. Chorus is usually made from a collection of memorable notation by the listener. Melody notation is not too long.
* Bridge
Bridge. Part of a bridge between the Temple of the Chorus, with Solo Instrumental Temple, or Chorus with Instrumental. This bridge usually consists of several bars and notation or without poetry.
* Solo Instrument
No need to explain more deeply. You already know ....
* Interlude
Interlude is part of the temple connect with the Temple or the Temple of the Chorus. There is no poetry in this Interlude. Interlude consists of only a few bars or chord patterns. Maybe 4 bars, 6 bars or 8 bars.
* Ending
Method ending several kinds. Fade Out, Looping Instrument, Stop at once, Repetition Intro and much more. Maybe you are more innovative ...
II. ALL ABOUT GUITAR & EFFECT TYPE-KIND
* String
Well, do not have to explain the guitar string should have 6 or more. Have a 4 string bass or more. You already know a lot that the bottom E string (High), followed by B, G, D, A and E (Low).
Anyone know not tune to 12 strings. how to tabulation writing it?
* Fret / Grip
Open strings written with 0. If you've read the article How to Read Tabulation, there may be a better understanding of how the writing.
III. READ ALL ABOUT MARK NOTATION & MAIN GUITAR TECHNIQUE
Writers approach writing Punctuation notation as follows:
h: Hammer-on
p: Pull-off (opposite of hammer-on)
/: Slide up
\: Slide Down
b: Bending
r: Release Bending
Harm. : Harmonic
^: Down Stroke
v: Up-Stroke
The duration of the tone can not be written here. So should listen to the song first and find out the length of the tone.
If you want to know more how to play the Hammer-on, Pull-Off, Slide, etc.., Read Bass Lessons (The principle is the same technique when applied to the guitar).
IV. BEAT WRITE TO APPROACH WITH A SENSE tabulation (FEELING).
For some of translator, used the notation to translate tabulation score or from the official magazine.
But many also translator of his to translate tablatur from normal hearing, by way of listening to one particular instrument, and then analyze the techniques and effects used in the song. So if you feel there is a difference with the real song, it's all up to you ... Nothing prohibits why you do not follow as in tablatur. What is clear is tablatur cuman to guide the reader, about the approach that is implemented as a writer of tablatur that he made.
I. SONG PARTS
The parts listed below do not necessarily present in every song. Form of the song did not have to follow a specific sequence (That's what makes each song seemed to have its own soul and character
* Intro
At the beginning of the song. Usually in the form of instrument for introducing the game to the song listeners. The notation is typically taken from the inside track.
* Bait / Verse
Verse pattern is always repeated in each song. The contents of his poems were different although the same music playing (I think this is what makes us not bored of listening to a song).
* Chorus
That is the core of a song. This part more decisive image of a composition. This is the real part of the most eagerly awaited to be heard. Chorus is usually made from a collection of memorable notation by the listener. Melody notation is not too long.
* Bridge
Bridge. Part of a bridge between the Temple of the Chorus, with Solo Instrumental Temple, or Chorus with Instrumental. This bridge usually consists of several bars and notation or without poetry.
* Solo Instrument
No need to explain more deeply. You already know ....
* Interlude
Interlude is part of the temple connect with the Temple or the Temple of the Chorus. There is no poetry in this Interlude. Interlude consists of only a few bars or chord patterns. Maybe 4 bars, 6 bars or 8 bars.
* Ending
Method ending several kinds. Fade Out, Looping Instrument, Stop at once, Repetition Intro and much more. Maybe you are more innovative ...
II. ALL ABOUT GUITAR & EFFECT TYPE-KIND
* String
Well, do not have to explain the guitar string should have 6 or more. Have a 4 string bass or more. You already know a lot that the bottom E string (High), followed by B, G, D, A and E (Low).
Anyone know not tune to 12 strings. how to tabulation writing it?
* Fret / Grip
Open strings written with 0. If you've read the article How to Read Tabulation, there may be a better understanding of how the writing.
III. READ ALL ABOUT MARK NOTATION & MAIN GUITAR TECHNIQUE
Writers approach writing Punctuation notation as follows:
h: Hammer-on
p: Pull-off (opposite of hammer-on)
/: Slide up
\: Slide Down
b: Bending
r: Release Bending
Harm. : Harmonic
^: Down Stroke
v: Up-Stroke
The duration of the tone can not be written here. So should listen to the song first and find out the length of the tone.
If you want to know more how to play the Hammer-on, Pull-Off, Slide, etc.., Read Bass Lessons (The principle is the same technique when applied to the guitar).
IV. BEAT WRITE TO APPROACH WITH A SENSE tabulation (FEELING).
For some of translator, used the notation to translate tabulation score or from the official magazine.
But many also translator of his to translate tablatur from normal hearing, by way of listening to one particular instrument, and then analyze the techniques and effects used in the song. So if you feel there is a difference with the real song, it's all up to you ... Nothing prohibits why you do not follow as in tablatur. What is clear is tablatur cuman to guide the reader, about the approach that is implemented as a writer of tablatur that he made.
Post a Comment
Comment